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Eustachio – Christian du Plessis Aurelio – Della Jones Eleonora – Nuccia Focile Edoardo – Russell Smythe Edmondo – John Treleaven Giovanni – Rico Serbo
This, one of the earliest of Opera Rara’s recordings [1988], has remained in their catalogue for more than 20 years. It has been received for review in connection with the opera's current revival at Guildhall School.
Donizetti’s score has everything, from the swagger of military march and dance to moments of tender personal tragedy.
Many people consider the Act 2 vigil, where Aurelio with his wife Eleonora and infant child agonise over the probability that their city is about to fall to the besieging English army, contains the finest music of the opera. It is well served in this recording: nobody does outraged coloratura better than Della Jones, and her voice is perfectly contrasted by the sweet toned soprano of Nuccia Focile.
The role of the mayor, Eustachio, presents considerable vocal challenges and, if Christian du Plessis does not quite meet all of them, he ably conveys the impression of an ageing man who has withstood the stresses of a long siege.
Even more effective is Russell Smythe as Edward III of England, and his aria Ogn’inciampo e alfin distrutto, in which he colours his voices with increasing regal pride in anticipation victory, is one my favourite tracks. (That scene is too, a highlight of the Guildhall production.) John Treleaven also stands out in the role of the herald, with ringing clarity of tone and diction, and Norman Bailey makes a cameo appearance as the Spy.
The orchestra rattle along under the baton of David Parry and the Geoffrey Mitchell Choir sing with gusto though few discernible words. But, as established and maintained by Opera Rara, their thick booklet, with libretto of course, is a mine of information and fascinating reading.
Serena Fenwick
See our appreciation of the current revival in London [Editor]
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