'The Secret Bach' J.S.BACH on the Clavichord
This is a profoundly interesting and revealing programme, framed by the Chromatic Fantasia and Fugue, which is familiar to clavichordists, and the great Chaconne for violin, which is not. The arrangement here of the D minor Partita, transposed down a fourth, includes 'adding as much in the necessary of harmony as he felt necessary' (Agricola, describing how J S Bach often played his violin works on the clavichord). It works extremely well, nobility rather than strain being at the forefront of Hogwood's magisterial account of the Ciaccona. These favourite masterpieces, and between them an Adagio and a Fugue, are given on a rich toned instrument [Hass 1761, pictured] with octave strings adding brilliance and clarity to the bass. The middle of Hogwood's sequence (no need to play the CD in its given order) demonstrates two other instruments, a typical double fretted instrument of the period (Bodechtel, c.1790) and an Adlam Burnett copy of an 1807 Schmahl in the Finchcocks collection. A valuable addition to the growing clavichord discography, presented with interesting and learned commentary about the music, most of the items having an element of 'arrangement' which was commonplace at the time. Derek Adlam discusses the clavichord in general, with descriptions and photos of the three instruments which Christopher Hogwood plays. Hearing Bach on the clavichord is as necessary as to listen to Schubert on fortepiano. For other specially recommended clavichord CDs, see E.W.Wolf (Paul Simmonds) and Haydn (Marcia Hadjimarkos).
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