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Elena Kats-Chernin

Chamber music

Chamber of Horrors

Charlston Noir for 4 basses (1996) The Four Basses:
Chamber of Horrors (1995)
Still Life (2001)
Wild Rice (1996)
Gypsy Ramble (1996) Perihelion:
Velvet Revolution for horn trio (1999)

Alice Giles, blue harp; Patricia Pollett, viola; Nicholas Bochner, cello; Carson Dron, piano David Pereira, cello
Kees Boersma, Damien Eckerlsey, Alex Henery, Kirsty McCahon - basses ; Tall Poppies Ensemble:
Hector McDonald, horn; John Harding, violin; Ian Munro, piano.

 

Tall Poppies TP181

 

Piano Music
Lisa Moore: piano

Purple Prelude
Russian Rag
Sonata "Lost and Found"
Alexander Rag
Stur in dur
Variations on a Serious Black Dress
Suburban Rag
Schubert Blues
Get Well Rag

Tall Poppies TP147

 

Two CDs by a prominent young Australian composer, showing imagination and confidence, without straying far from a minimalist predeliction. Tall Poppies is an enterprising label, devoted to Australian composers and performers, and their catalogue is well worth checking out. You will find some names familiar in UK and Europe, but many others scarcely known here; humbling! .

Of these, a decided preference and strong recommendation for the mixed chamber music disc. Kats-Chernin describes herself as a survivor from the ruthless tuition of Lachenmann, to whom she is grateful although emerged so chastened that she stopped composing for some years, latterly settling for "a sort of post-modern 'light music', more obviously so in the piano disc.

Lots of originality in exploring unusual instruments and combinations in Chamber of Horrors (a striking double bass quartet as opener; Alice Giles' midi- harp has interesting sonorities) and there are substantial items for viola and solo cello (some of these brought together from other CDs in the Tall Poppies catalogue).

Presentation is generally good, with full information about all the participants; the guillotine nearly missed cutting the pages correctly for the piano disc, with several Rags after Joplin, it is all slightly too relaxed for my taste.

Peter Grahame Woolf