Australian Chamber Music
David Pereira & Timothy Young TallPoppies TP222 Tall Poppies, with expert producer/sound engineer Belinda Webster at the helm for many years, is enjoying 21st birthday celebrations with multiple awards. Their latest CD received of Australian music for cello and piano is wide ranging, with several works which might be considered by young cello/piano duos in UK and elsewhere who are building their repertoires. Percy Grainger is enjoying a deserved revival; in his chamber music, his piano parts must be tempting for pianists; there is a huge output to be explored, and these pieces are relished by this excellent duo. Percy Grainger is enjoying a deserved revival; in his chamber music, his piano parts must be tempting for pianists; there is a huge output to be explored. Recommended to purchasers in Europe.Peter Grahame Woolf See a moving student video experiment backed by Elena's Blue Silence
Chamber music Chamber of Horrors
Piano Music Purple Prelude
Two CDs by a prominent young Australian composer, showing imagination and confidence, without straying far from a minimalist predeliction. Tall Poppies is an enterprising label, devoted to Australian composers and performers, and their catalogue is well worth checking out. You will find some names familiar in UK and Europe, but many others scarcely known here; humbling! . Of these, a decided preference and strong recommendation for the mixed chamber music disc. Kats-Chernin describes herself as a survivor from the ruthless tuition of Lachenmann, to whom she is grateful although emerged so chastened that she stopped composing for some years, latterly settling for "a sort of post-modern 'light music', more obviously so in the piano disc. Lots of originality in exploring unusual instruments and combinations in Chamber of Horrors (a striking double bass quartet as opener; Alice Giles' midi- harp has interesting sonorities) and there are substantial items for viola and solo cello (some of these brought together from other CDs in the Tall Poppies catalogue). Presentation is generally good, with full information about all the participants; the guillotine nearly missed cutting the pages correctly for the piano disc, with several Rags after Joplin, it is all slightly too relaxed for my taste. Peter Grahame Woolf |