ECM New Series 1905 [May 2004: 49'26"] The Armenian composer Tigran Mansurian (b. 1939) has a reticent, gentle compositional manner which suits the string quartet medium perfectly. No barnstorming or dramatics; he is averse to the "exulting gestures" which made Khachaturian so popular. Mansurian never exaggerates to grab or keep your attention. It is music for the home or for intimate recitals. Mansurian's music often has a similar tone as the songs of his 'spiritual father' Komitas the Armenian ethno-musicologist who "collected more than 3.000 folk-songs and freed Armenian musical thought from foreign influences" (q.v.Sokolov's Paris DVD). Each of the two quartets is some twenty minutes of slow music framing faster central sections. You may find yourself thinking of Beethoven (Op 132's Heiliger Dankgesang), Sibelius's Voces Intimae, early Bartok, Tippett No 2 occasionally, Morton Feldman without his alienating excesses (except to cult devotees) of length and dynamics; soon to forget them all. "Simplicity without naivety". Read too the revealing on-line interview with the members of the Rosamunde Quartet, Andreas Reiner and Simon Fordham violins, Helmut Nicolai viola and Anja Lechner cello. Matthew Barley (cello) & Stephen De Pledge (piano) will be including Tigran Mansurian's Sonata No. 2 in their Wigmore Hall recital 27 September.
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