Alexander
TCHEREPNIN Piano Concertos
Symphonic
Prayer, Op.93 (1959)
Piano Concerto
No.2, Op.26 (1923)
Magna mater,
Op.41 (1926/27)
Piano Concerto
No.4 (Fantaisie), Op. 78 (1947)
I. Eastern Chamber Dream. Moderato
II. Yan Kuei Fei's Love Sacrifice. Sostenuto - Animato
III. Road to Yunnan. Allegretto
Noriko Ogawa,
piano
Singapore Symphony Orchestra conducted by Lan Shui
BIS-CD-1247
[TT
64 mins]
The prolific
and long-lived composer Alexander Tcherepnin (1899-1977)
is pictured here shortly before he composed his 2nd piano concerto
(I chose it for illustration in preference to the grinning publicity
photos of pianist and conductor, which reminded me of one's childhood
agony when exhorted to 'smile for the picture'!).
Prokofiev was
a pupil of Tcherepnin's father, and there are clear affinities.
The concerto, 'based essentially upon a leap of a fourth', is sparky
and optimistic music, typical of (for me) a favourite decade of
the last century. A motoric development subsides to introduce a
wide ranging set of variations 'bursting with original technical,
contrapuntal and rhythmic finesse'. It is deftly orchestrated and
played with verve and charm by Noriko Ogawa.
The half-hour
later piano concerto has a legendary Chinese story line, and is
more expansive in style. It is characterised by Far Eastern folk
ideas, with variations on a pentatonic theme. I think that this
concerto manages (just) to avoid a charge of banality, and preferred
the earlier one. Tcherepnin liked to draw on extra-musical inspiration
and Georgian folk music and Chinese folklore were important to him.
The two orchestral pieces are religious rituals, neither solemn
and both of them displaying great energy in the development of the
material.
It is all done
with panache and well documented. Another deserving hit for BIS.
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