Cornelis
de Bondt The Tragic Act
live and on CD During the interval
of the Hague School programme, Louis Andriessen told me that the
work by one of his pupils, Cornelis de Bondt (b.1953), standing
alone in the second half, was a masterpiece. De Bondt introduced
his The Tragic Act by telling us that the work came to him as a
whole in a flash whilst experiencing the dying of his father. For
five musicians and sound engineer, it has a Brucknerian expansiveness,
taking most of an hour, seemingly depicting interminable waiting
in attendance at a death bed, with evocations of a failing heart
beat and, with a continually screeching saxophone, the prolonged
pain for those present. It was a tough listening experience, at
once both fascinating and repugnant - one stayed to the end expecting
a calming resolution which never came. References to Bach's funeral
cantata 'God's own time is the best time' and sampled boys' voices
played a smaller part in the scheme than anticipated. De Bondt is
a major figure in the Netherlands new music scene, and The Tragic
Act brought to an end a concert which will resonate in the memory.
Peter Grahame
Woolf (This concert
was also reported in Classical Source) |