John
Hawkins Martyn
Hill Tenor Meridian CDE 84496 [70 mins]
Voices
from the Sea (Divertimenti string orchestra, with Martyn Hill
(tenor), This orchestral song cycle, first heard & recorded in 1985, gives a unique CD compilation its title. The texts, written by merchant seamen for a poetry competition, are strikingly direct, and are telling in Martyn Hill's sympathetic rendering and admirably clear articulation. John Hawkins (b. 1949) had previously composed a Sea Symphony, commissioned by The Marine Society, writing it on board a container ship! The music of
Voices from the Sea is by a composer who knows his Britten,
and I was reminded of Howard Ferguson too. So nothing 'cutting edge'
here, but finely crafted music in an early 20 C British idiom with
which he is comfortable; but no cause to disparage it on that account.
Excellently crafted (his teachers included Elizabeth Lutyens and
Malcolm Williamson), Hawkins' word setting is superb and he was
clearly fired by these non-professional verses penned by practical
men who knew what they were writing about. Hawkins has a way with the double bass and Worlds Apart and Shadows are useful pieces which might well be featured for contrast in those regular recitals for which bassists are hired to do the Trout Quintet. The trio with viola and piano is a recommendable item. Likewise, Disturbed Nights, the lullaby with variations for solo oboe is well worth programming as a change from the Britten Metamorphoses after Ovid. Gestures too is a valuable contribution to what must be a thin repertoire for two violas. Finally Quietus for string trio makes a satisfying envoi, marred only by a last pizzicato note from cello which is not quite full enough in tone to end the whole recital and CD. The presentation
is fairly good, with texts of the sea poems provided; too much redundant
biographical detail about the performers - the dates of most of
the pieces remain a secret. The recording is generally excellent
and this collection of music by a composer who had escaped me until
now has given great pleasure, as it will to afficionados of 20 C.
British music. |