Johann Strauss: Simplicius Libretto by Victor Leon after 'Der abentheurliche Simplicissimus Teutsch' (1668) by Johann Jakob Christoffel von Grimmelhausen Childrens' choir, Chorus and Orchestra of Zurich Opera House conducted
by Franz Welser-Möst MICHAEL VOLLE The hermit, Wendelin von Grubben Thought to have been lost, and recently redisovered and reconstructed, here is a delightful farrago of nonsense, live from a spectacular stage production by David Pountney, with impressive special effects, all brought expertly to wide-screen 16:9 DVD by Thomas Grimm. A word of warning; at the present time, not everyone will be minded to join in its spirit of gleeful celebration of German nationalism towards the end of the Thirty Years War. War is the greatest fun in life, especially hanging people from trees and revelling underneath. But it is only an Operetta and a good one, with a story of numbing complexity about contested identities and inheritance, which requires three pages of the insert book to elucidate; in the end it really doesn't matter. It all starts with an overture of mock seriousness. One thinks back to The Tempest - Simplicius, a Wagnerian 'pure fool', related to Siegrfried & Parsifal, at the centre of the proceedings, is as ignorant of life and the opposite sex as Miranda - and Weber's woodlands (with a fake astrologer who brings to mind Donizetti's Dr Dulcamara) and it looks forward to Gilbert & Sullivan. Menace soon evaporates, and everything is drowned in lashings of Boozy Lotte's schnapps. The costumes are magnificent and it is all a feast for the eyes. Not given to lasting out the endless sequence from Vienna of Johann Strauss the Younger's waltzes every New Year morning, I find them far more apt in this context, and the singing is excellent, some of it ravishing. A very happy entertainment, and Franz Welser-Most (under appreciated with the LPO) is in his element in Zurich. Perhaps one for the Christmas list when we may all, hopefully, be at peace again?
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