Schubert Sonatas on Streicher fortepiano 1826 At first hearing there is a certain austerity about Vermeulen's chosen instrument (Nannette Streicher fortepiano at Castle Vilain XIII in Belgium) but it quickly transports you into a simalucrum of what the experience of Schubert's music may have been in his own time. His interpretations are carefully considered and have won widespread praise. See also http://www.musicalpointers.co.uk/reviews/cddvd/pianists.htm#tv [Editor]
Franz Schubert: Piano Sonatas D 537 · D 894 Oehms Classics OC 593
This imaginative juxtaposition catches the eye and the ear is not disappointed. Schuch is a young pianist with a comprehensive virtuoso technique, but in no way at the expense of a fastidious ear and tonal awareness, which makes his Schubert playing on a Steinway D (the instrument not specified on the information supplied) comparable with that of the most famous specialists, and goes far to reconciling me with his choice of a modern piano. There is not a bar which is not thought through and lovingly expressed. Schuch's phrasing in the lovely G major D 894 (sometimes dubbed Fantasie-Sonata, one of my top favourites and clearly amongst his too) is spacious without ever becoming portentous, and the harmonies and their significance are brought out by his voicing of the chords, as too in Lachenmann's Schubert variations, which makes this a natural, if unobvious, coupling. A pity that the later, more radical, Lachenmann is represented only by the brief Guero. The liner notes essay is reproduced in full on the Oehms website; that should become routine with the increasing popularity of download sales. Peter Grahame Woolf |