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Hindemith, Klemperer, Stravinsky, Weill (Klemperer Legacy) Klemperer Merry Waltz; This release in EMI's The Klemperer legacy series is notable as a reminder of the breadth of Otto Klemperer's repertoire in earlier years. It is also humbling to be reminded that Klemperer, as also many conductors, was a prolific composer. Although he had to his name 6 symphonies, 9 string quartets and a hundred songs, which the notes writer uncharitably suggests are likely to remain an unknown quantity. I wonder? This excerpt from a 1915 opera, revised in the '70s, is however not all that merry; slightly soured Strauss, I thought it. Hindemith, to my surprise, is described in the notes as now 'little more than a name' to younger music-lovers, having been in the 'top half-dozen' of contemporary composers for a long time previously. Perhaps this is beginning to be true, though there is a big Hindemith business from his publishers if a gulf between concert programming and radio/recording output. I hadn't noticed his disappearance - he has always been part of my musical life; I used to enjoy playing his piano and organ sonatas and I have piano transcriptions of music from Nobilissima Visione, his ballet score about St Francis of Assisi. It includes a beautiful prelude and pastorale, and culminates with a lengthy, ultimately rather grandiose, passacaglia. It is the earliest of these remastered recordings which date from 1954-62. He recorded the Stravinsky in 1965 and it comes up well, firm and severe, completely unfussy, a bold, intense account of a much-recorded masterpiece, with 15 or more versions in the catalogue. But the best reason for buying this CD is, I think, the inclusion of Klemperer's historic account of the suite from the Weill Threepenny Opera which Klemperer himself commissioned. Based on the original score, he premiered it in Berlin in 1929. It comes up vivid and pungent in this 1961 recording, excellently transferred by Allan Ramsay, holding its own easily against later versions. Peter Grahame Woolf
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