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MENDELSSOHN Songs & Duets Volume 5



Katherine Broderick soprano
Hannah Morrison soprano
Anna Grevelius mezzo-soprano
Finnur Bjarnason tenor
Stephan Loges baritone
James Rutherford baritone
Eugene Asti piano



Hyperion CDA67753 (2 for price of 1)

Recording: 8-12 2008 at Wyastone Concert Hall, Monmouth
- (those details are quaintly hidden in the tray under CD 2)

 

 

CD1 [46'12]
1 Lied zum Geburtstage meines guten Vaters [1'39]
2 Pauvre Jeanette [1'09]
3 Erster Verlust Op 99 No 1 [3'06]
4 Des Mädchens Klage [2'11]
5 Sanft weh’n im Hauch der Abendluft [2'48]
6 Wanderlied Op 57 No 6 [1'47]
7 Das Waldschloss [2'05]
8 Es weiss und rät es doch Keiner Op 99 No 6 [2'29]
9 Charlotte to Werther [3'22]
Sechs schottische National-Lieder
10 O dinna ask me [1'50]
11 Mary’s Dream [5'25]
12 We’ve a bonnie wee flower [2'35]
13 Saw ye Johnnie comin’ [2'53]
14 The Flowers of the Forest [2'53]
15 The yellow-hair’d laddie [3'23]
16 Ave Maria [1'56]
17 Raste, Krieger! Krieg ist aus [1'50]
18 Volkslied [2'01]

CD2 [50'57]
1 Minnelied Op 47 No 1 [1'27]
2 Es rauscht der Wald, es springt der Quell [1'52]
3 Frage Op 9 No 1 [1'40]
4 Geständnis Op 9 No 2 [2'15]
5 Weiter, rastlos, atemlos [1'10]
6 Weihnachtslied [2'41]
7 Von allen deinen zarten Gaben [2'22]
8 Wiegenlied [3'56]
9 Vier trübe Monden sind entflohn [3'09]
10 Lieben und Schweigen [2'44]
11 Suleika [2'25]
12 So schlaf in Ruh! [3'00]
13 Todeslied der Bojaren [2'40]
14 Erwartung [2'50]
15 Und über dich wohl streut der Wind [1'30]
16 Weinend seh’ ich in die Nacht [1'30]
17 Ch’io t’abbandono in periglio [8'50]
18 Volkslied Op 47 No 4 [3'42]
 
This is part of a pioneering Mendelsson Songs and Duets series, a well received ongoing Guildhall School project connected with Eugene Asti's preparation of a critical performance edition (Barenreiter, 2008) of Mendelssohns songs, many of them previously unublished, and unperformed for one hundred and fifty years. Not all are likely to enter the repertoire, though the Barenreiter edition and these CDs should certainly be in the libraries of all conservatoire and college vocal departments.

The singing is all very acceptable, at the least, with more interesting songs in the second disc. In the first one, it was a pleasure to hear Hannah Morrison, late of Pantagruel, singing folk songs in her native Scots.

These discs will be important in following the career development of these young artists, several of whom are likely to achieve fame and fortune in due course.

Peter Grahame Woolf

Review of volume 4 [Editor]