RAVEL & WEBER Steven Osborne Hyperion CDA67731-2 Ravel had "obsessed" Steven Osborne since he was a teenager and 6 days of recording at Henry Wood Hall, London (July & September 2010) satisfied a long prepared ambition. I doubt if any of his rivals will significantly better these CDs, which have given us deep satisfaction and delight; they are sensitively recorded and well annotated by the doyen of French music commentators, Roger Nichols and by Osborne himself. My only regret is that Hyperion still sticks to old-fashioned "jewel cases" for their packaging; they are particularly unsatisfactory for housing multiple discs. WEBER PIANO WORKS Garrick Ohlsson Hyperion dyad CDD22076Despite Ohlssohn's undoubted excellence, these sonatas are tiring to listen to, especially after the varied pleasures of Ravel's continually creative magic, and probably tiring to play too. To my taste, Weber is facile, writes too many notes and his writing easily sinks to the formulaic. I should however be interested to try hearing them again on a lighter piano of the period, such as have led to revaluation of some Liszt's and Chopin's piano music *. For a sympathetic appreciation of this half-price re-release, do however see Gramophone's review of the original CDs (Arabesque, 1989) by John Warrack. AND q.v. Andrew Brownell re. Hummel: Peter Grahame Woolf
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