Adès, Carter, Copland and Ligeti If this 3½ hours triple-decker is a portent, 2007 may be a vintage year for PLG, which was founded across the road from Hyde Park in 1956, at 45 Park Lane, and has served highly talented young artists (many of them having become internationally famous) for 50 seasons. The heart of the evening was the centre panel, with a deliciously refined account of Thomas Adès' Arcadiana (seven pieces for string quartet, 1994) and Aaron Copland's major song cycle. The Heath Quartet were strong advocates for the Adès, and afterwards impressive in the more daunting asperities of Ligeti's 2nd quartet, though that would better have been placed straight after the interval, before the audience began to tire. Karina Lucas' name is one to remember. She entranced us with a great performance of Copland's Emily Dickinson cycle, rarely given in its entirety, persuading some of us hard-boiled critics that it is fully the equal of some canonic masterpieces by composers whose names begin with Schu... Karina Lucas was partnered by Simon Lane in perfect style, and with sensitivity to the difficult acoustic of the Purcell Room. Alasdair Beatson, with John Myerscough (cellist of the Doric String Quartet) confirmed memories of his masterly Dutilleux piano sonata last year with clarity of articulation and judicious pedalling, but was inclined to brutal ffs in the Carter cello sonata. Nor was the Purcell Room helpful to Myerscough in creating the "hypnotic and other worldly atmosphere" of Sciarrino's Ai limiti della notte, though his control of the tremolo artificial harmonics, amongst the extended techniques deployed throughout, was impressive. This report is published overnight in the hope that it will encourage London readers to get to some of the remaining six concerts, twice daily through to Thursday. Details at http://www.parklanegroup.co.uk/ Recommended recordings: See also
Peter Grahame Woolf's more recent annual reports of PLG Young Artists New Year Series
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