Innovation is all for audience capturing, and Wilton's Music Hall was gratifyingly packed for Transition Opera's Dowland evening, designed for "the coldest, most miserable month of the year"; the winter wind certainly blows on the exposed platforms of Tower Gateway DLR station ! John Dowland's famous gloominess is usually counterpointed by jollier Elizabethan songs, but not on this night. William Towers and Richard Sweeney positively wallowed in "exquisite melancholy, pleasurable pain and delicious misery", beginning (and finishing too !) with In Darkness let me Dwell. Too dim to read easily until afterwards, the programme took us through the subject as dealt with learnedly by Timothie Bright (1586), Robert Burton (The Anatomy of Melancholy 1621), Shakespeare (Hamlet) and Netia Jones. Musically, this was a distinguished hour of lute songs by Dowland and his contemporaries, with three lute solos interposed, received with acclamation by the audience. Where will Netia Jones locate Handel's Acis & Galatea with the one-eyed cyclops in April? (Illustration: Galatea & Polyphemus - wall painting 1st C BC)
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