Schubert, Brahms, Wolf & Duparc Haydn & Brahms
Celebrated in London for her assumption of the dramatic central role in Maw's controversial opera, the sprawling Sophie's Choice (which I found myself unable to admire whether at ROH or on video - (q.v. 'this long, messy opera') Angelika Kirchschlager's sold out Wigmore Hall recital gave unalloyed, uncomplicated pleasure in a programme of lieder favourites, and several of Duparc's melodies. She is a beautiful woman with a beautiful, characterful mezzo voice, notably relaxed and comfortable on the recital platform which she made her own, taking the audience to right and left into her confidence with free movements and expansive but unexaggerated gesture. The popular programme, prepared impeccably with her famous accompanist
Helmut Deutsch, was an evening of relaxing enjoyment, not one for
new insights. I use the term 'accompanist',
which latterly has a pejorative connotation, advisedly. Although
the lid was fully open, which I always prefer, Deutsch was generally
reticent, the tone shaded perfectly, but within an overall
style of playing too legato for my taste.
Those niggling reservations during the evening arose in the context of an earlier recital that day, given to a well filled Purcell Room audience by The RTE Vanbrugh Quartet, resident quartet to Radio Telefis Eireann, very active in Cork and internationally since they won the London International String Quartet Competition in 1988. Nothing unusual to attract the critics to their programme, nor did their playing have any attention-grabbing features, whether heightened energy or interpretative quirks to establish individuality. It was just very, very good, as we have noted previously with the Vanbrughs'
appearances at South
Place, and which is confirmed by their CDs. Technique is rock-solid
as is ensemble and, although they will have played these standard
classics often, there was an indefinable freshness, without any
suggestion of routine repetition; the secret must lie in good relationships
between the players, who looked as if they were quietly enjoying
a good time as we were. Hear the RTE Vanbrugh Quartet at the Spitalfields Festival 18 June (programme) playing Haydn, Beethoven and a premiere by Jonathan Dove, Artistic Director of the Festival, at the wholly delightful Wilton's Music Hall, which will be the base for the second week of the festival.
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